January 2010 Archives

quote from site:

"In 1943, five years after it was founded and during the height of World War II, Walt Disney Studios put out an organization chart to explain how the company functioned. What's fascinating is how it differs from org charts issued by most corporations. Typically, corporate org charts are hierarchical, with each operating division isolated into "silos" showing job titles according to reporting chain of command and ultimate authority. The CEO and SVPs get the higher positions and bigger boxes; the little boxes represent the expendable worker "bees."
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here is a copy of the original chart

video and article from Ted Talks 

quote:
 Neuroscientist Vilayanur Ramachandran outlines the fascinating functions of mirror neurons. Only recently discovered, these neurons allow us to learn complex social behaviors, some of which formed the foundations of human civilization as we know it.

   


 V.S. Ramachandran is a mesmerizing speaker, able to concretely and simply describe the most complicated inner workings of the brain. His investigations into phantom limb pain, synesthesia and other brain disorders allow him to explore (and begin to answer) the most basic philosophical questions about the nature of self and human consciousness. 

  Ramachandran is the director of the Center for Brain and Cognition at the University of California, San Diego, and an adjunct professor at the Salk Institute. He is the author of Phantoms in the Brain (the basis for a Nova special), A Brief Tour of Human Consciousness and The Man with the Phantom Twin: Adventures in the Neuroscience of the Human Brain. 

"Ramachandran is a latter-day Marco Polo, journeying the silk road of science to strange and exotic Cathays of the mind. He returns laden with phenomenological treasures...which, in his subtle and expert telling, yield more satisfying riches of scientific understanding." -- Richard Dawkins
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"Street With A View addresses the tension between surveillance concerns and the triviality of the images captured by Google Street View. As most of you know, this online service is based on photo material gathered by a panoramic camera attached to the roof of a vehicle driven at slow speeds through city streets all over the world. The mapping system has given rise to debates about privacy and the right to publish and use for commercial purposes the images of individuals and of entire neighborhoods." 
- from one of our favorite ironically named blogs, "Make Money, not Art"

Your Brain on Computers Lecture

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Tuesday, January 19th, 7:00 pm


TOPIC: Your Brain on Computers
Back in the 70s, did you ever fantasize about the idea of a Bionic Man who could play Pong using only his mind? Here in the 21st century, microelectrodes planted inside quadriplegics' brains translate the neural activity of thoughts into signals that can move a computer cursor, control a robotic arm, and yes, play Pong! Although in their infancy, the exciting innovations of neuromodulation and brain-computer interface have already helped people with spinal cord injuries, blindness, deafness, depression, and disorders like epilepsy and Parkinson's. For example, devices like NeuroPace's RNS Neurostimulator, implanted in the brains of epileptics, are able to detect abnormal electrical activity in the brain and attempt to prevent seizures. This incredible technology may also lead you to wonder about bioethically sticky non-therapeutic applications like enhancing cognitive ability or athletic skill. Biomedical engineer Brett Wingeier will lead what promises to be a fascinating discussion. Visit the Ask a Scientist website for lots of interesting related links. 

SPEAKER: Brett Wingeier, Principal Biomedical Engineer, NeuroPace
WHEN: Tuesday, January 19th, 7:00 pm
WHERE: Horatius, 350 Kansas (btw. 16th & 17th) San Francisco
COST: Admission is free, but please support our generous hosts at Horatius by bringing your appetite and enjoying dinner during the talk.

Bruce Conner exhibit

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Jan 16 - May 23: Bruce Conner's digital three-screen version of Cosmic Ray exhibited at the museum; here it's titled "Three Screen Ray." A few other Conner films are screened digitally in a program called "The Singles," over the next few months.

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In Bruce Conner's electric THREE SCREEN RAY(2006), a new acquisition premiering in this exhibition, Ray Charles's 1959 hit song "What'd I Say" is set to an ecstatic, frenzied collage -- nude women, bomb explosions, fireworks -- of original and preexisting imagery. A tour de force of experimental film techniques, the piece features Conner's manipulations of the film surface and his signature use of countdown leader. The work's central image is Conner's 1961 film COSMIC RAY, which he adapted to three screens in 1965 and later reedited to create this gallery installation of three video projections. A rotating series of "singles," or single-channel video works from the SFMOMA collection, is presented in an adjoining gallery.

read more here!


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September 18, 2009-January 13, 2010

Pioneer of abstract art and eminent aesthetic theorist, Vasily Kandinsky (b. 1866, Moscow; d. 1944, Neuilly-sur-Seine, France) broke new ground in painting in the first decades of the twentieth century. His seminal pre-World War I treatiseÜber das Geistige in der Kunst (On the Spiritual in Art), published in Munich in December 1911, lays out his program for developing an art independent of one's observations of the external world. In this and other texts, as well as his art, Kandinsky strove to use abstraction to give painting the freedom from nature that he admired in music. His discovery of a new subject matter based solely on the artist's "inner necessity" occupied him throughout his life.


Bauhaus 1919-1933: Workshops for Modernity at MoMA. Includes some early visual music-related work. The checklist is also online. 

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November 8, 2009-January 25, 2010

This survey is MoMA's first major exhibition since 1938 on the subject of this famous and influential school of avant-garde art. Founded in 1919 and shut down by the Nazis in 1933, the Bauhaus brought together artists, architects, and designers in an extraordinary conversation about the nature of art in the age of technology. Aiming to rethink the very form of modern life, the Bauhaus became the site of a dazzling array of experiments in the visual arts that have profoundly shaped our visual world today.