January 2010 Archives
Tuesday, January 19th, 7:00 pm
TOPIC: Your Brain on ComputersBack in the 70s, did you ever fantasize about the idea of a Bionic Man who could play Pong using only his mind? Here in the 21st century, microelectrodes planted inside quadriplegics' brains translate the neural activity of thoughts into signals that can move a computer cursor, control a robotic arm, and yes, play Pong! Although in their infancy, the exciting innovations of neuromodulation and brain-computer interface have already helped people with spinal cord injuries, blindness, deafness, depression, and disorders like epilepsy and Parkinson's. For example, devices like NeuroPace's RNS Neurostimulator, implanted in the brains of epileptics, are able to detect abnormal electrical activity in the brain and attempt to prevent seizures. This incredible technology may also lead you to wonder about bioethically sticky non-therapeutic applications like enhancing cognitive ability or athletic skill. Biomedical engineer Brett Wingeier will lead what promises to be a fascinating discussion. Visit the Ask a Scientist website for lots of interesting related links.SPEAKER: Brett Wingeier, Principal Biomedical Engineer, NeuroPaceWHEN: Tuesday, January 19th, 7:00 pmWHERE: Horatius, 350 Kansas (btw. 16th & 17th) San FranciscoCOST: Admission is free, but please support our generous hosts at Horatius by bringing your appetite and enjoying dinner during the talk.

Jan 16 - May 23: Bruce Conner's digital three-screen version of Cosmic Ray exhibited at the museum; here it's titled "Three Screen Ray." A few other Conner films are screened digitally in a program called "The Singles," over the next few months.
quote:
In Bruce Conner's electric THREE
SCREEN RAY(2006), a new acquisition premiering in this exhibition, Ray
Charles's 1959 hit song "What'd I Say" is set to an ecstatic,
frenzied collage -- nude women, bomb explosions, fireworks -- of original and
preexisting imagery. A tour de force of experimental film techniques, the piece
features Conner's manipulations of the film surface and his signature use of
countdown leader. The work's central image is Conner's 1961 film COSMIC
RAY, which he adapted to three screens in 1965 and later reedited to create
this gallery installation of three video projections. A rotating series of
"singles," or single-channel video works from the SFMOMA
collection, is presented in an adjoining gallery.

Quote:
September 18, 2009-January 13, 2010Pioneer of abstract art and eminent aesthetic theorist, Vasily Kandinsky (b. 1866, Moscow; d. 1944, Neuilly-sur-Seine, France) broke new ground in painting in the first decades of the twentieth century. His seminal pre-World War I treatiseÜber das Geistige in der Kunst (On the Spiritual in Art), published in Munich in December 1911, lays out his program for developing an art independent of one's observations of the external world. In this and other texts, as well as his art, Kandinsky strove to use abstraction to give painting the freedom from nature that he admired in music. His discovery of a new subject matter based solely on the artist's "inner necessity" occupied him throughout his life.
Bauhaus 1919-1933: Workshops for Modernity at MoMA. Includes some early visual music-related work. The checklist is also online.
Quote:
November 8, 2009-January 25, 2010
This survey is MoMA's first major exhibition since 1938 on the subject of this famous and influential school of avant-garde art. Founded in 1919 and shut down by the Nazis in 1933, the Bauhaus brought together artists, architects, and designers in an extraordinary conversation about the nature of art in the age of technology. Aiming to rethink the very form of modern life, the Bauhaus became the site of a dazzling array of experiments in the visual arts that have profoundly shaped our visual world today.




